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Shakespeare South Studio —Creative Practice Lab

Alys Daroy 

Shakespeare South Studio was founded by Alys Daroy and grew from her academic and theatrical practice. The studio provides a collaborative workshop lab for experimental creative research in ecoperformance.

Alys has a PhD in Shakespeare, biophilic design, ecocriticism and ecoperformance from Monash and Warwick University.​​​ She is co-author, with Paul Prescott, of Shakespeare, Ecology and Adaptation for the Arden Shakespeare series (2025) and Sydney's Food Landscapes: Agriculture, Planning, Sustainability, with Joshua Zeunert (Palgrave Macmillan, 2025). 

Recent creative research has been exhibited at the European Cultural Centre for the Venice Biennale, Form Gallery WA, the Conservatorio di Verona, and Phoenix Arts Sydney, amongst other venues.

Alys's research has also appeared in Stanislavski Studies, Performance Research, RiDE, EJES and other publications, with chapters in collections including Critical Approaches to the Australian Blue Humanities and Woke Shakespeare. Her current research develops biophilic design approaches to Shakespearean ecocriticism and ecoperformance. Visting Fellowships include for the Shakespeare Institute, University of Birmingham, and Shakespeare's Globe. She has  previously acted as Sustainability Consultant at Shakespeare's Globe. 

Awards include the S. Ernest Sprott Fellowship (University of Melbourne Faculty of Arts, 2025), Murdoch School of Humanities, Arts and Social Sciences Research Excellence Award (2025) and Murdoch University Vice Chancellor’s Research Excellence Award (2026).​

Alys is an Australian-born, Australian and Latvian citizen with UK Residency and works across Australia, the UK and Europe. She is Academic Chair of Theatre and Creative Production and Lecturer in English and Theatre at Murdoch University. She is an External Researcher at the Centre for People, Place and Planet (WAAPA, ECU) and Gloknos: Centre for Global Knowledge Systems (est. University of Cambridge). 

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Prior to academia, Alys worked as a professional actor in London and Sydney, including for 7 Network, BBC, Discovery USA, Audible, PlayLab and others. She has worked with Shakespeare's Globe, Cambridge Shakespeare Festival, Shakespeare by the Sea, RSC Open Stages, Bard City, Heartstring and Theatre Royal Stratford East. Alys received a UK National Theatre and Sunday Times Ian Charleson Award Commendation for Classical Acting

 

Reviews:

"Five stars: A stand out performance by Alys Daroy"—Time Out London

"Alys Daroy, in the title role of Emma Bovary, delivers a performance of pellucid beauty mirroring her own. Miraculously drawing one into her innermost desires and vulnerability, this intricate, intimate, magnetic performance is a revelation, and lives on in the memory. She even draws humour, born of the anomalies of Bovary's own personality, which pours from Daroy's insight" —Chicago Critic

"Absolutely riveting ... the seeds of her eventual madness showed themselves in early decisions made. From her first entrance to her last, there was not a moment missed ... the most convincing Ophelia I have ever seen"—Andrew Muir, Shakespeare in Cambridge 

"From her performance as Anna Karenina, Alys Daroy is obviously destined to be one of the leading stage actresses of her generation"—Sky TV, Take 101

"Alys Daroy is gutsy and passionate ... a stand out as Margarita in Bulgakov's masterpiece"—Camden Journal

"Alys Daroy is a fabulous Queen, utterly plausible" —Chris Boyd, Melbourne Arts, The Australian

"Alys Daroy slithered, simpered and snarled about the stage like a nasty femme fatale akin to the prowess of Cate Blanchett. Her Queen combined regal pomposity with visceral nastiness, demonstrating adroit acting talent, Her career trajectory should be one to monitor: I found her mesmerising. Her work was intelligent and commanding." —Toorak Times.

Education 

PhD

PhD (English and Theatre), Monash-Warwick Alliance

BPA (Acting)

Australian Academy of Dramatic Art (now the Australian Institute of Music)

BA (Hons. 1)

First Class Honours (English Literature). University of Adelaide.

BA; BA (Journ.)

Bachelor of Arts (English), University of Adelaide; Bachelor of Arts (Journalism), University of South Australia

Selected Recent Awards

2026

Murdoch University Vice Chancellor's Research Excellence Award

2025

Murdoch University School of HASS Research Excellence Award

2025

S. Ernest Sprott Fellowship Award, University of Melbourne (Faculty of Arts)

Selected Recent Exhibited Work

2026

Il Vento (with Shakespeare South, Leo Murray, Joshua Zeunert, Federico Zandonà and the Conservatorio di Verona), World Shakespeare Congress

2025

InGrained (with Joshua Zeunert, Leo Murray and Dannon Wu), Transversal (Curators: Andrea Rassell and Cassandra Tytler), Form Gallery WA

2023

Anthropoiesis (with Joshua Zeunert and Leo Murray), European Cultural Centre Venice Biennial, Palazzo Bembo for the Venice Biennale 

Books

2027

Forthcoming: Biophilic Shakespeare: Rewilding Ecocriticism and Ecoperformance, Routledge, 2027

2025

(with Paul Prescott) Shakespeare, Ecology and Adaptation: A Practical Guide, Bloomsbury Arden Shakespeare, 2025

2025

(with Joshua Zeunert) Sydney's Food Landscapes: Agriculture, Planning, Sustainability, Palgrave Macmillan, 2025

Selected Recent Journal Articles

2026

Alys Daroy and Joshua Zeunert. 2026. "Cabinets of Wonder and of Woe: Printed Books of Nature in the English Renaissance, European Journal of English Studies (details forthcoming)

2025

Joshua Zeunert and Alys Daroy. 2025. “Counter Imaging Australia’s Industrial Agricultural Landscapes: Methods for Digital Sustainability Communication”. Sustainability: Science, Practice and Policy. 1–19. DOI: 10.1080/15487733.2025.2514972

2025

Alys Daroy, Leo Murray, Kathryn Trees and Joshua Zeunert. 2025. “Anthropoiesis: Slow Listening to Scalar Extremes at the Venice Biennial”. Performance Research, 26 (9): 90–98. DOI.10.1080/13528165.2024.2452799.

2025

Alys Daroy. 2025. “From Stanislavsky’s System to Ecosystem: Biophilic Landscape Mapping as a Tool for Actors’ Eco-Embodiment”. Stanislavski Studies. DOI: 10.1080/20567790.2025.2461511.

2024

Alys Daroy and Joshua Zeunert. 2024. “Solidarity as Spectacle: Resistance, Resilience and Renewal in the Latvian Song and Dance Celebration”. RiDE: Research in Drama Education, 29 (3): 422–438. DOI:10.1080/13569783.2024.2369609.

Additional Publications and Creative Research: ORCID 0000-0002-0387-426X

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Shakespeare South acknowledges the Kaurna, Noongar and Gadigal peoples as Traditional Custodians of the lands on which we live and work, and pays respect to Elders past and present. We extend this respect to First Nations and Indigenous peoples across Australia and wherever our work takes place internationally, recognising their enduring relationships with land, waters, culture and community. 

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